Matter and spirit
come together in a single gesture

My contemporary sculptures are created in the shadow of a long, precise creative process.

I transform models made of wax and organic fibres into metal using a sophisticated, personal lost wax casting technique, giving each piece a unique character. Micro casting allows me to create thin, irregular forms resembling leaves, bark, cracks and crevices – natural traces of matter, fibres and fabrics that enliven the surface of the metal.

Metal, oxidised by fire and subjected to patinas and glazing, acquires new nuances over time, becoming a living, changing material.

Each sculpture is a carefully thought-out composition, combining realism with abstraction, precision of execution with the poetic language of form. Through my works, I want to combine faith with the beauty of contemporary art, referring to the Mystery. All sculptures refer to the spiritual dimension of reality – to the Creator, the source of inspiration and truth. They are not an end in themselves, but a medium through which we experience harmony, love and transcendence.

INNER
GARDENS

Dimensions: 70 × 90 × 45 cm
Materials: bronze (lost wax casting), fire patina in shades of red and green, gold polish, 6 mm steel base

Christ in a moment of painful convulsions; disfigured body, thorns that pierce the head as if merging into one, wounds, and a pierced side. However, the sculpture focuses not on suffering, but on the immense love that opens the human heart to Hope and Redemption. In the expanding marks of scourging, the tears, and through the open wounds, one can glimpse the blooming forms and greenery of the garden – a sign of life and light, a symbol of a new beginning.
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RELIC CHASUBLE OF THE BLOOD
OF SAINT JOHN PAUL II

Dimensions: 705 × 30 × 105 cm
Materials: bronze (lost wax technique, in vacuum), fire patina, enamel on copper, geode agate, gilded elements

Custody of the relics of John Paul II and artistic commemoration of his visit during the 46th Eucharistic Congress in Wrocław. The Pope's silhouette is present through a subtle outline and characteristic elements – his hands with a golden fisherman's ring, and the flowing fabric of his papal vestments. The light emanating from the monstrance reveals the Eucharist as the center of the Church's life. The work combines tradition with modernity, sacred presence with the language of contemporary sculpture.
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